Between Literature Translations for Children and for Adult Abstract
This article investigates the differences in explicitation
between English-to-Chinese literature translations for children and for
adults using the corpus-based analysis method. Explicitation is the
overall tendency to explicate implicit messages in translation. The
assumption is that literature translation for children shows a higher
percentage of explicitation than for adults because children readers
require the explicitly-presented logical context and repetitive lexical
items for easy comprehension and easy memorization. My inference is
that the differences in explicitation result from the pursuit of
literary function in the translation for adults and educational
function in the translation for children. Reduced noun variation, clear
inter/intra-sentential relationship and more notes help children to
learn words easily, catch the message and acquire cultural and
specialized knowledge. In contrast, the higher variation in lexicon,
fewer added connectives, and fewer added notes create literary beauty
and boost the adult reader's aesthetic appreciation. The research
finding concurs with Hans J. Vermeer's skopos theory and Zohar
Shavit's poetics of children's literature that explicitaiton degree
varies when target language audience and translation purposes change.
In sum, this research serves as a model of purpose-oriented
explicitation investigation and can be replicated for future researches
on other literary genres, e.g. science writing, in other language
pairs.
Keywords: explicitation, literature translation, noun density, added connectives, added notes, translation purposes
In
this study, I will examine the explication variation between translated
novels for children and for adults using the corpus-based analysis
method. Explicitation refers to an overall tendency to "spell things
out rather than leave them implicit in translation" and has been
identified as one of the universal translational features through
corpus-based translation studies (CTS) (Baker 1996, p.180). CTS was
initiated by Mona Baker in 1990s and has been undertaken to investigate
the recurrent features of "explicitation, simplification,
normalization/conventionality and leveling out" (Baker 1996, p. 84).
This study simply focuses on the feature of explicitation by analyzing
two English-to-Chinese parallel literary corpora1. The purpose is to observe how literature translations for children and for adults show different degrees of noun density2
added connectives and added notes. Since children and adults read for
different purposes, translators will use different lexicons and
different sentence structures, either simple or complicated, to produce
varied degrees of explicitation and fulfill different translation
purposes.
The degree of explicitation varies between translations of children and adults' literature. |
A
literature review of current CTSs leads us to conclude that an
investigation into explicitation tends to be text-genre and
language-pairs-oriented, and overlooks the relevance of explicitaiton
variation to extra-textual factors of different target readers and
different translation purposes. Many CTS scholars investigated either
the translations of different text genres (e.g. Séquinot, 1988; Baker,
1992) or those in various language pairs (e.g. Shlesinger, 1995; Kulka,
1986) to justify the feature of explicitation, but rarely delved into
differences in explicitation resulting from the translations of the
same genre for different purposes. In actuality, audiences and purposes
are crucial factors in determining different translation strategies and
different degrees of explicitation in the translations of the same
genre. For example, literature translation for children is intended to
teach children new words or to strengthen their reading ability in the
target language (TL), while literature translation for adults is
intended to provide aesthetic appreciation and spiritual amusement.
These different purposes will result in different levels of
explicitation in the translated novels for children and for adults. Rarely do we avoid the issue of readability when discussing
literature translation for children. To enhance the level of
readability for children, translated novels for children must have an
overall higher level of explicitation than translated novels for adults
because children require translations to be more easily comprehended
than adults do. Many people will agree with this assumption, but
assumptions still require an empirical test for genuine assurance. At
the onset of this test, I raise several questions for an investigation.
- Does literature translation for children show a lower percentage of
noun density than that for adults and therefore have a higher degree of
explicitation?
- Does literature translation for children show a higher frequency of
added connectives than that for adults and therefore have a higher
degree of explicitation?
- Does literature translation for children show a higher frequency of
added notes than that for adults and therefore have a higher degree of
explicitation?
- How is the explicitiaton variation relevant to different translation purposes for different types of target readers?
Answers to these questions are expected to verify the
purpose-oriented assumption of the explicitation differences between
literature translations for children and for adults. Since this study
uses Hans J. Vermeer's skopos theory and Zohar Shavit's poetics
of children's literature as the theoretical framework for argument, I
have to introduce their main concepts at some length in the following
section. After that, I will discuss the corpus-based analysis method,
including corpus design and search criteria. In addition, I will report
some findings and discuss the implications of these findings to elicit
significant insights. Finally, I will summarize this study, describe
its limitations and suggest some possibilities for future research. This research mainly explores the relevance of differences in
explicitation to different translation purposes for children and for
adults, so the theories of explicitation, translation purpose and the
translation poetics of children's literature will be discussed as
follows.
2.1. Explicitation Research
The term "explicitation" first appeared in Vinay and Darbelnet's
article ([1958]1995; qtd. in Klaudy 1998, p. 80). Vinay and Darbelnet
(1958) define explicitation as "the process of introducing information
into the target language which is present only implicit in the source
language, but which can be derived from the context or the situation"
(qtd. in Klaudy 1998, p. 80). In other words, explicitation is "the
process of introducing information into the target language which is
present only implicitly in the source language, but which [could] be
derived from the context or situation" (ibid.). E. A. Nida (1964) looks
at the explicitation phenomenon in the translated text as a shift from
the implicit to the explicit status that occurs when "important
semantic elements carried implicitly in the source language may require
explicit identification in the receptor language" (p. 228; qtd. in
Klaudy 1998, p. 81).
There are abundant corpus-based studies of explicitation. S.
Blum-Kulka conducted a systematic discourse analysis of English-French
translations and English-Hebrew translations and found a noticeable
rise in the level of cohesive explicitness from source texts to
translated texts (cited here in a 2000 reprint, p. 300). To test the explicitation hypothesis,
L. Øverås (1998) investigated the bi-directional English-Norwegian
Parallel Corpus and discovered that the level of explicitness in both translated English and translated
Norwegian was greater than their originals. M. Olohan and M. Baker
(2000) conducted a comparable study on the addition of the word that after the verbs say and tell, with
the aid of two corpora, Translational English Corpus (TEC) and British
National Corpus (BNC). The analytical result showed that the use of that with say and tell
in translational English corpus was more frequent than in
non-translational English corpus. Moreover, M. Mutesayire (2005) used a
comparable corpus to investigate reformulation markers such as in other words, namely, that is to say, and to be more precise/specific. These lexical items were found to occur more frequently in translated English than non-translated English (Olahan 2003).
All these studies confirmed the universality of explicitation that
was produced independently of the impact of language pairs and text
types in the translation process. These studies have found the global
pattern that explicitation was produced not only without interference
from language pairs but also without much relevance to text types.
However, we cannot overlook potential local differences existing behind
the generalization of explicitation when we consider the factors of
different translation purposes. Thus, this study will examine how the
explicitation feature shows different degrees between literature
translations for children and for adults because the novels translated
for these two types of audiences are expected to meet different reading
purposes. Vermeer's skopos theory argues that "every translation can and must be assigned a skopos" (1989, p. 230). The Greek word, "skopos"
refers to the purpose of any piece of translation (Baker 2001; Munday
2001). In Vermeer's view, translating is not only a process of
linguistic transfer from one language to another, but the
cross-cultural transfer for the purpose of effective communication. The
translation performance cannot be appropriate and satisfying if the
translator is unaware of the purpose and the prospective readers of the
translation.
Vermeer regards the addressee of the target language (TL) text as the main factor in determining the skopos
(purpose) of translation (ibid.). "The skopos can be said to vary
according to the recipient" (Reiss & Vermeer, 1984, p. 101). It
follows the principle that "the translator should use the translation
strategies which are most appropriate for achieving the purpose for
which TT is intended" (Shuttleworth & Cowie, 1997, p.156). For
example, to increase the child reader's knowledge in certain domains,
the translator supplies background information of certain proper nouns
with added notes for educational purpose. In addition, added cultural
notes can be effective communication because cultural references in the
source language (SL) text are situated in the source culture and
henceforth require additional explanations to ensure the TL reader's
comprehension. This example suggests that the intended purpose of
translation affects the translator's decision-making and determines
his/her translation strategies.
2.3. Poetics of Children's Literature
Due to different TL audiences and different translation
purposes, a SL text can be translated in several ways. In her poetics
of children's literature, Shavit (1986) proposes a set of rules for
children's literature translation as opposed to those for adult
literature translation. Shavit (1986) maintains that literature
translation for children can follow two principles for two purposes.
One is "an adjustment of the text to make it appropriate and useful to
the child in accordance with what society regards (at a certain point
in time) as educationally 'good for the child'" (Shavit 1986, p. 113).
The other is "an adjustment of plot, characterization, and language to
society's perceptions of the child's ability to read and comprehend"
(ibid.). These two principles denote the importance of high
readability, easy comprehensibility and didactic usefulness for child
readers.
In contrast, to meet the need of adult readers, Shavit proposes the high literary style for the effect of "literariness" per se
after comparing Hebrew literature written for children and for adults
(1968, p. 128). She declares that the translator can use the special
technique of linguistic presentation to create literary beauty and meet
adult readers' need for aesthetic appreciation. Shavit's theory
resembles Vermeer's skopos theory because both of them agree
that the translator should use different methods and techniques to
achieve different purposes. This explicitation investigation expects to gain a more
objective and more reliable conclusion through the corpus-based
analysis of a huge volume of authentic data retrieved from the real
market. Besides, this study includes a statistical survey with the aid
of corpus-processing tools.3
However, it is crucial to have appropriate corpus design and set up
search criteria prior to the investigation if it aims at obtaining
complete and relevant results. These two components will be introduced
as follows. In this study, two parallel corpora of literature translations
are used as analytical data. One is composed of the first chapters of
five English novels with their Chinese translations for children and
contains a total of 24,175 words (hereinafter Literature Parallel
Corpus for Children/LPCC). The other is composed of the first chapters
of the same five English novels with their Chinese translations for
adults and contains a total of 108,386 words (hereinafter Literature
Parallel Corpus for Adults/LPCA). A combination of these two corpora
has a total of 132,561 words. The translated Chinese novels for
children contain much fewer words than the translated novels for adults
because literature translation for children, motivated by the need to
make the text more communicative and more understandable, involves much
adaptation but transmits similar messages. Tables 1 and 2 show the
internal structures of LPCC and LPCA.
Table 1
The Internal Structure of LPCC
|
English Novels |
Authors |
Translation Titles |
Translators |
Words |
|
Gulliver's Travels |
J. Swift |
小人國和大人國
[Dwarf & Giant Kingdoms] |
盧潔峰 |
SL: 2355
TL: 2477 |
|
Robinson Crusoe |
D. Defoe |
魯賓遜漂流記
[Robinson's Adventures] |
周樂 |
SL: 2628
TL: 1968 |
|
A Tale of Two Cities |
C. Dickens |
雙城記
[A Tale of Two Cities] |
趙小敏 |
SL: 1700
TL: 2145 |
|
Treasure Island |
R. L. Stevenson |
金銀島
[Golden-Silver Island] |
盧潔峰 |
SL: 2312
TL: 2494 |
|
The Adventures of Huckleberry Finn |
M. Twain |
小哈克奇遇記
[Little Huck's Adventures] |
周樂 |
SL: 2648
TL: 3448 |
|
|
|
|
|
Total: 24,175 |
Table 2
The Internal Structure of LPCA
|
English Novels |
Authors |
Translation Titles |
Translators |
Words |
|
Gulliver's Travels |
J. Swift |
格列佛遊記
[Gulliver's Travels] |
史曉麗,王林 |
SL: 4104
TL: 5402 |
|
Robinson Crusoe |
D. Defoe |
魯賓遜漂流記
[Robinson's Adventures] |
鹿金 |
SL: 14878
TL: 24610 |
|
A Tale of Two Cities |
C. Dickens |
雙城記
[A Tale of Two Cities] |
文怡虹 |
SL: 9486
TL: 17281 |
|
Treasure Island |
R. L. Stevenson |
金銀島
[Golden-Silver Island] |
黃建勲 |
SL: 6814
TL: 11224 |
|
The Adventures of Huckleberry Finn |
M. Twain |
頑童流浪記
[A Naughty Boy's Adventures] |
賈文浩,
賈文淵 |
SL: 5752
TL: 8835 |
|
|
|
|
|
Total: 108,386 |
A comparison of Table 1 and Table 2 shows that the five translated novels for children were published in the late 1990s4 while the same novels translated for adults were published between 2001 and 2006.5
The reason for this gap is that Taiwan's translated novels for children
with added notes were published in the late 1990s while Taiwan's
translated novels for adults with added notes were not published until
the first decade of the 2000s. Noticeably, the five novels are selected mainly because their translations for children and for adults are available on Taiwan's market.
Following a study of the noun-density-resulted explicitation, I
select certain types of nouns as key words for search. In addition, the
explicitation phenomena generated from added connectives at the
structural level and added notes at the contextual level are probed, so
that certain connectives and culture-specific notes are selected for
search. The three types of nouns to be selected are general nouns, proper nouns and pronouns. Some of them are listed in Table 3.
Table 3
Three Noun Types
|
Noun Types |
Lexical Items |
|
General Nouns |
父親 [father]、醫生[doctor]、親戚[relatives]、費用 [expense]、恩師 [good master]、船長[captain]、朋友[friends]、生涯 [career]、妻子 [wife]、房屋 [house], etc. |
|
Proper Nouns |
詹姆斯 [James]、約翰 [John]、馬克.吐溫 [Mark Twin]、波莉 [Polly]、瑪麗 [Mary]、湯姆 [Tom]、道格拉斯 [Douglas]、柴契爾 [Thatcher]、哈克.貝利 [Huck Belly], etc. 太平洋[the Specific Ocean]、西班牙[Spaniard]、阿拉伯 [Arab]、約克市 [the York city]、德國 [Germany]、土耳其 [Turkey]、法國 [France]、歐洲[Europe], etc. |
|
Pronouns |
你[you]、我[me/I]、他[him/he]、她[her/she]、你們[you]、我們[we/us]、他們[them/they] |
Connectives that refer to conjunctions and transitional words
are normally used to signify logical relations between two clauses
within one sentence or between two sentences. The five types of logical
connectives are temporal, contrastive, causal, coordinate and
conditional. The addition of these connectives in the translation helps
the target reader to catch the message easily because they may
explicate the implicit logical relationship at the sentence level.
Table 4 shows some of the selected five connective types.
Table 4
Five Connective Types
|
Connective Types |
Lexical Items |
|
Temporal Connectives |
當[when]、接著[after that]、然後[then]、不一會兒[after a while]、後來[later] |
|
Contrastive Connectives |
但[but]、可是[however]、卻[but]、反而[on the contrary]、不過 [nevertheless] |
|
Causal Connectives |
因為[because]、由於[due to]、所以 [so]、於是[thus]、因此[therefore]、結果[as a result] |
|
Coordinate Connectives |
還 [and]、和 [an]、並[and]、並且 [and]、或 [or] |
|
Conditional Connectives |
假如 [if]、假設 [if]、假若[provided that]、雖然[although/though]、只要 [only if] |
The names of some people or places in English novels have
significant socio-cultural implications and provide non-English native
children readers with useful knowledge and information. I randomly
select some of them to check if they are translated with added notes.
Table 5 shows these searched words that fall into six categories:
place's names, people's names, foods, measurements, diseases, objects
and religious terms.
Table 5
Six Categories of Cultural Notes
|
Six Categories |
Lexical Items |
|
Place's Names |
Nottinghamshire, Emanuel College, Cambridge, Leyden, Levant, Old
Jury, Fetter Lane, South Sea, Bristol, Newgate-street,, Van Diemen's
Land, Burgundy, etc. |
|
People's Names |
Mr. James Bates, Captain Abraham Pannel, Mr. Edmund Burton, Mrs.
Mary Burton, John, Captain William Prichard, Tom, Douglas, Miss Watson,
Huckleberry, etc. |
|
Foods |
Brandy, doughnut, punch, rusk, bisket, cane, roots, corn, rum, etc. |
|
Measurements |
hogshead, latitude, league, eight, ducat, hundredweight, mile, pound, ounce, foot, etc. |
|
Objects |
Jerkin, musket bullets, signet royal, spear, pulley, snuff, harp,
interest, Bible, pipe, carriage, ingots, julery (jewelry), hymn-book,
Don Quixote, Small-shot, Foremast, etc. |
|
Others |
Stroke, Yellow Jack, Hangman, Walk the plank, etc. |
I used the Concordance tool to calculate noun density,
and then obtained the following. Table 6 shows the difference in noun
density between the literature translations for children and for
adults.
Table 6
Noun Density Differences Between LPCC and LPCA
|
The Number of Nouns |
The Number of Tokens |
Percentages |
|
LPCC |
1737 |
7081 |
24% |
|
LPCA |
10010 |
36529 |
27% |
Table 6 shows that LPCC has lower noun density and therefore uses fewer
varied types of nouns than LPCA. Thus, the translation for children has
a 3% higher explicitation degree at the lexical level than does the
translation for adults. This discrepancy in explicitation is not large
compared to the explicitation gap by connectives (22%) and the
explicitation gap by notes (28%).
Additionally, the author used the ParaConc tool to analyze and calculate the added connectives, and then obtained the explicitation percentages (Table 7).
Table 7
Connectives-Resulted Explicitation Differences Between LPCC and LPCA
|
The Number of Added Connectives |
The Number of All Connectives |
Explicitation Percentages |
|
LPCC |
92 |
213 |
43% |
|
LPCA |
246 |
1126 |
21% |
Table 7 reveals that the degree of explicitation resulting from added
connectives in translated literature for children is 22% higher than
that for adults. However, this gap is still smaller than the
explicitation by notes, as shown in Table 8.
Table 8
Notes-Resulted Explicitation Differences Between LPCC and LPCA
|
The Number of Added Notes |
The Number of Nouns |
Explicitation Percentages |
|
LPCC |
52 |
98 |
53% |
|
LPCA |
68 |
272 |
25% |
Table 8 shows that literature translation for children shows a much
higher percentage of explicitation resulting from added notes than the
translation for adults. This finding suggests that the addition of
cultural notes is a crucial strategy in the translation for the younger
audience. The combination of lower noun density and higher percentages
of added connectives and added cultural notes justifies a higher degree
of explicitation in the translated novels for children than for adults.
V. Discussions and Implications
The above-mentioned statistical figures reveal some significant
insights and these points will be discussed in the areas of linguistic
effect vs. aesthetic effect, educational function vs. literary
function, and communicative acceptability vs. literal adequacy.
5.1 Linguistic Effect vs. Aesthetic Effect
In response to the first research question, the result of the
investigation indicates that noun density is slightly lower in the
translated novels for children (24%) than for adults (27%). Since noun
density is a method of measuring the lexical complexity of a text, the
lower density in the translated novels for children reveals the use of
fewer types of nouns. The repetitive use of certain lexical items might
reduce the number of noun types in the translation for children. For
example, the English phrases "any thing," "Toys and Trifles," and "my
new gain'd wealth" are all translated with the same Chinese word, "貨/貨物" [goods] in a translated novel for children, while these words are respectively translated as "什麼貨物" [what things], "小掛件和小擺設" [small pendants and small decorations], and "新掙到手的錢"[money newly earned in the hands] in the translated novel for adults. More interestingly, "Ben Rogers" and "little Tommy Barnes" are both translated as "孩子" [child/ hei-ze] for children, but are literally translated as "班.羅傑斯" [ban luo jie si] and "小湯米.巴恩斯"[xiao
tang mi ba en si] for adults. The use of rich vocabulary in the
translation for adults does not create the comprehensibility burden but
it would probably interfere with children's learning of the target
language. Table 9 provides more examples of the repetitive use of some
lexical items in the literature translation for children.
Table 9
A Comparison of Different Noun Translations for Children and for Adults
|
Original English Sentences |
Chinese Translations for Children |
Chinese Translations for Adults |
|
His excellency, having mounted on my small right leg, advanced forwards up to my face, with about a dozen of his retinue. |
一個欽差大臣便帶著一打隨員,從我的右小腿那裡走了上來。
[A government-appointed official moved forward up from my small right leg/my translation.] |
這位大官帶了十幾位隨從,沿著我的右小腿彎處爬上來,走到我的臉前面。
[This official and a
dozen of his retinue climbed up from my small right leg and advanced
forwards up to my face/my translation.] |
|
For he shook his head by way of disapprobation, and held his hand in a posture to show that I must be carried as a prisoner. |
那欽差大臣只是猛地搖頭,並用手勢告訴我,一定要把我當俘虜運走。
[The government-appointed official shook his head vehemently
and used his gesture to suggest that he would carry me away as a
prisoner/my translation.] |
他搖頭表示不同意,還舉起手做了個手勢,說明非得把我當俘虜運走。
[He shook his head to
show his disapproval and held his hand as a gesture to denote that he
would carry me away as a prisoner/my translation.] |
|
Upon this, the HURGO and his train withdrew, with much civility and cheerful countenances. |
欽差大臣退下去了。
[The government-appointed official withdrew/my translation.] |
這樣「赫哥」和隨從才彬彬有禮、和顏悅色地退下。
[Thus, the HURGO and his train withdrew, with much civility and cheerful countenances/my translation.] |
Table 9 shows that the English entries such as "His excellency," "he" and HURGO" are all translated as "欽差大臣"[the government-appointed official], but are respectively translated as "這位大官"[this high-ranking official], "他" and "赫哥" [HURGO] for adults. The repeated translation of "欽差大臣"[the government-appointed official] impresses
young readers and enables them to memorize it easily. Repeating a
translated term also helps children to acquire new words in a more
impressive way. This lingustic impact meets Shavit's calling for the
adjustment of children's literature for easy comprehension and easy
learning.
In contrast, the linguistic impact resulting from the repetitive
translation is useless for adult readers. Adults require literal
translation with higher lexical variation because most of them are
eager for aesthetic appreciation. Adult readers with higher TL
proficiency accept lexical complexity in translation and tolerate any
subtle presentation. The rich vocabulary for adults does not create a
comprehensibility burden but it would probably impair children's
language learning. Some adult readers favour high lexical variation and
view this as derived from the translator's literary style. As stated
earlier by Shavit, the translation for adults aims to produce literary
beauty and boost aesthetic effect, so it expects to use a higher
variety of lexical items.
In short, the higher lexical density creates aesthetic values for
adults, whereas the lower lexical density brings the benefits to easy
comprehension and easy memorization to children. The use of different
linguistic techniques lead to the higher lexicon-specific explcitation
for children than for adults. This explicitaiton variation concurs with
Vermeer's skopos theory that every translation must be assigned
a specific purpose and different translation strategies are used to
achieve these intended purposes.
5.2 Communicative Acceptability vs. Literal Adequacy
With regard to the second research question, the result of
investigation informs us that translated novels for children have a
higher frequency of added connectives than those for adults do. Thus, a
higher degree of explicitation at the syntactic level can be found in
the translation for children.
The addition of connectives explicates the implicit logical
relations between two clauses and clarifies the core message of the
sentence for child readers. Because of children's weak logical sense,
added connectives assist in their understanding of the contextual
relations. Let us compare the following pairs of translations in Table
10.
Table 10
A Comparison of Added Connectives in the Translations for Children and for Adults
|
Original English Sentences |
Chinese Translations for Children |
Chinese Translations for Adults |
|
I was extremely tired, and with that, and the heat of the weather,
and about half a pint of brandy that I drank as I left the ship, I
found myself much inclined to sleep |
由於虛弱和疲乏,我倒在草地上就呼呼地睡著了,我一輩子都沒有睡過這麼酣甜的覺。
[(Because) I was extremely weak and tired,
I lay on the grassland and immediately fell into sleep; I never had
such a deep and sweet sleep in my lifetime/my translation.] |
__我疲憊不堪,加上天氣炎熱,離開大船前喝了約半品脫白蘭地,睡意強烈來襲。
[____I was extremely
tired, and with the heat of the weather, I drank about half a pint of
brandy as I left the ship, henceforth finding myself much inclined to
sleep/my translation. |
|
We rowed, by my computation, about three leagues, till we were able
to work no longer, being already spent with labor while we were in the
ship. |
但划出三海里遠後,就再也划不動了,因為大家已經筋疲力盡了,只得聽任海浪擺布。
[However,
after rowing three leagues, we were unable to row any more because we
were exhausted and were only subject to the sway of sea.] |
__據我推算,因為已在大船上耗盡氣力,我們大約划了三英里便再也划不動。
___I speculated that
because we already spent with labor in the ship, we were able to work
no longer after we rowed three leagues.] |
|
She said all a body would have to do there was to go around all day long with a harp and sing, forever and ever. |
接著她就把天堂的情景描述了一番,說在天堂裡是不用工作的,只不過到處走走,彈彈琴,唱唱歌,就這樣永遠永遠地過下去。
[Next,
she described the scene of the heaven where nobody had to work, simply
fooling around, playing the harp and singing song, living on in such a
way forever and ever.] |
____她說人在那裡整天不用作別的事,只需要抱著豎琴彈琴歌唱,讚美永不止息。
[__She said that people there did nothing all the day, simply singing song carrying a harp, and compliments never stopped.] |
With the added conjunction because and the transitional words however and next,
children will find it is easier to catch the cause-effect,
comparison-contrast and chronological relations implicit in the
context, and therefore are able to catch the message quickly. Added
connectives help achieve the communication effect for children, but
added connectives are of little help for adults who are more capable of
seeing the implicit logical relations between sentences or between two
clauses of one sentence. Added connectives sometimes destroy the
literary sense and feeling of the original work. Thus, it is advisable
to use literal translation method when translating novels for adults.
The difference between syntactic adaptation for children and literal
translation for adults aims to fulfill different translation purposes:
a contrast between communicative acceptability and information
adequacy. This contrastive concept was raised by G. Toury when he
discussed the issue of translational equivalence. In Toury's viewpoint,
translation involves "an encounter, if not a confrontation, between two
sets of norms" (1980, p. 55). When translation adheres to the norms of
the SL system, the result is literal adequacy. Nevertheless, when
translation follows the norms of the TL system, it brings about
communicative acceptability. Thus, the adapted version fits young
readers for the purpose of effective communication, while literal
translation is suitable for adult readers for the purpose of
informational adequacy. In the meantime, this discrimination conforms
to Vermeer's skopos theory that every translation behavior is aimed at accomplishing a specific purpose.
5.3 Educational Function vs. Literary Function
Regarding the third research question, the answer is that
translated novels for children have a higher frequency of added notes
than translated novels for adults do. This means a higher degree of
explicitation at the contextual level in the translation for children
than for adults.
The purpose of adding notes is to transmit useful knowledge or
background information of places, names, foods and others to the
audience. Young readers, particularly elementary school students, are
curious about and need to acquire cultural information or specialized
knowledge about the outside world. At this point, young readers can
access the deeper aspects of the foreign culture and acquire some
specialized knowledge if they read the translation of foreign novels
dotted with cultural or specialized notes. They can expand their
cultural and informational horizons. The higher frequency of notes aims
to achieve the purpose that the translation for children should be
educational (Shavit 1986). Table 11 shows the different translations
with and without cultural and specialized notes
Table 11
A Comparison of Added Notes in the Translations for Children and for Adults
|
Original English Sentences |
Chinese Translations for Children |
Chinese Translations for Adults |
|
...rendered it necessary that I should go to Paris, there to communicate with a gentleman of the Bank, so good as to be dispatched to Paris for the purpose. |
「信上說,讓我和銀行派來的一位先生接洽,然後到巴黎去。」[The letter said that they let me communicate with a gentleman assigned by the Bank, so that I went to Paris/my translation.]
註: 巴黎,法國首都巴黎,建立在塞納河畔,是世界著名的大都市和旅遊勝地,艾菲爾鐵塔、凱旋門、香榭大道、博物館、美術館,每年吸引無數的遊客前往觀光。
[Note: Paris,
the capital city of France, is situated on the River Seine as one of
the worldwide famous big cities and scenic resorts. Eiffel Tower, Arc
de Triomphe, Champs Élysées, museums, and galleries make Paris an
attraction for numerous foreign tourists per year/my translation. ] |
「因此我必須去巴黎一趟,和一位銀行的先生聯絡,他也是為此而奉派到巴黎。」[I have to go to Paris to communicate with a gentleman who was also appointed to Paris for this matter/my translation.]
PS: No notes for Paris. |
|
By an observation, we found ourselves in the latitude of 30 degrees 2 minutes south. |
約在南緯三十度零二分。
[About in the latitude of 30 degrees 2 minutes south/my translation]
註:緯,指緯線。地圖上所有與赤道平行的較小圓周線,都稱為緯線。赤道以北,稱北緯;以南,稱南緯。[Note: Latitude
means line of latitude. Line of latitude refers to the small circles
parallel to the equator in the map. North latitude is located to the
north of the equator; south latitude, to the south of the equator/my
translation.] |
根據觀測,我們發現自已的位置在南緯三十度零二分。[According to our observation, we found we were located in the latitude of 30 degrees 2 minutes south/my translation.]
PS: No notes for latitude. |
|
And she took snuff, too; of course that was all right, because she done it herself. |
而她卻在聞鼻煙,這反而是合情合理的。[And she took snuff and this was reasonably acceptable/my translation.]
註:鼻煙,用鼻吸的煙。鼻煙放在鼻煙壺內,吸用時用小勺舀出放在食指上,靠近鼻孔吸入。
[Note: Snuff refers to smokeless tobacco
for sniffing. Snuff stored in a bottle can be put on the index finger
for sniffing through the nose/my translation.] |
她自己也吸鼻菸,當然這下就沒什麼不對了,因為吸菸的可是她自己嘛。 [She herself took snuff and there was nothing wrong with this because she did it herself/my translation.]
PS: No notes for snuff. |
To consider the added note about Paris, for example, it
helps children readers to know the location and cultural importance of
France's most famous city. The added notes of latitude and snuff provide children with specialized knowledge of geography and smokeless tobacco.
Adult readers, however, have already heard of Paris and have known well what latitude refers to or know how to find information about snuff,
so additional notes about these terms are not necessary and are not
added in the translation for adults. So far, we have known that added
notes may provide children with cultural input through access to
cultural information and specialized knowledge, but these notes might
be redundant and ruin the original aesthetic form for adults. The
differences in explicitation resulting from added notes between the
translations for children and for adults meets Shavit's (1986) argument
that children's literature is educational, but adult literature has a
literary and aesthetic function. This corpus-based study with statistical analysis has proved
that the degree of explicitation varies between translations of
children and adults' literature. Translated novels for children have a
lower noun density (24%), a higher frequency of added connectives (43%)
and a higher frequency of added notes (53%), so they show a higher
degree of explicitaiton. In contrast, translated novels for adults have
a higher noun density (27%), a lower frequency of added connectives
(21%) and a lower frequency of added notes (25%), leading to a lower
degree of explicitation. The hidden reasons for this discrepancy are
that translated novels for children emphasize easy-to-understand
lexical presentation with effective linguistic input while the
translated novels for adults seek more complex lexical presentation for
aesthetic appreciation. Furthermore, children require adapted
translation for effective communication while adults require literal
translation for informational adequacy. Finally, children's literature
is an educational tool, requiring easier-to-learn lexicons and
additional information input, but adult literature has a literary
purpose, pursuing spiritual amusement and sublimation. In summary, the
explication variation has close relevance to the target audience, the
reading purpose and the translation function.
Although this study is limited in its corpora size (132,561 words in
total), it serves as a model of purpose-oriented explicitation study
using the corpus-based analysis method. It may be used as a point of
departure for future researches on other literary genres, e.g. science
fiction, in other language pairs to gain more significant insights.
Endnotes
1
A parallel corpus is made up of a set of texts in language A and their
translations into language B. We must distinguish the parallel corpus
from the comparable corpus that is composed of the source language text
and its corresponding target language text. The parallel corpus is the
very corpus type that "one immediately thinks of in the context of
translation studies" (Baker 1995, p. 230). This type of corpus can be
adopted to investigate a variety of shifts that occur in the process of
translation, such as addition of conjunctions, pronominal restoration,
and insertion of extra background information.
2
Noun density is actually the type-token ratio. The number of noun types
refers to the number of the selected nouns while tokens comprise the
total number of word forms in the text. For example, the word "歷史"
(history) occurs 11 times in the translated Chinese text and represents
only one noun type, but it constitutes 11 tokens. The noun density is
calculated by dividing the number of tokens by the number of queried
nouns.
3 The ParaCon
tool is used to develop the parallel corpus by aligning the SL and the
TL texts. It can also be used to obtain the concordance output through
the query for the key words listed in the previous section. For
example, when we examine addition of logical connectives as an
explicitation strategy in TL texts, we could use the Parallel Search
function, supported by the ParaConc tool, to search for "但"[but]
in the TL text. The translated sentences that contain "but," but are
not found in their corresponding English sentences show the
explicitation tendency. Besides, a Cisco Key Integrity Protocol (C KIP)
system is used to segment the translated Chinese text into small
linguistic units and label their parts of speech for easier
identification. Finally, the Concordance tool is used to obtain the statistical figures of the queried nouns and tokens (known as all running words).
4 All five translated novels for children were published by Tien-Wei Publishing Company in 1996 in Taiwan.
5 The five novels translated for adults were released on the market between 2001 and 2006, with《雙城記》published by Wisdom Books Co., Ltd. in 2001;《格列佛遊記》and《頑童流浪記》published by Business Weekly Publications, Inc. in 2005;《金銀島》published by Elegant Books Cultural Enterprise Co., Ltd. in 2006, and《魯賓遜漂流記》published by Strom & Stress Publishing Company in 2006.
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Acknowledgements
I extend my enormous thanks to two graduate students, Vicky and
Ruby, at the National Kaohsiung First University of Science and
Technology, for helping me develop two parallel corpora. I also thank
Taiwan's National Science Council for granting me funds to complete
this project.
by Shih Chung-ling
English Dept. of National Kaohsiung First University of Science and Technology This
article was originally published at http://accurapid.com/journal/toc.htm
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